TheLab Lenses FullFrame

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Awesome!Sigma 14-24mm f/2.8 DG DN Art Lens

An Art-series zoom, this lens is also distinguished by its fast f/2.8 constant maximum aperture to suit working in available lighting conditions. Featuring a sophisticated optical design, a series of low dispersion and aspherical elements is used to minimize both chromatic and spherical aberrations throughout the zoom range in order to achieve high sharpness, clarity, and color accuracy. A Super Multi-Layer Coating combined with a Nano Porous Coating also helps to suppress lens flare and ghosting to a greater degree than conventional anti-reflective coatings. This helps to more effectively produce color-accuracy and contrast-rich imagery in a variety of lighting conditions.
Though full-time manual focus is available, this lens is equipped with a stepping motor that enables smooth, high-speed autofocusing that is notably quiet whether utilizing features such as Face/Eye Detection AF or during video shooting. A built-in Autofocus-Lock (AFL) button can be assigned additional functions to widen the range of operations available on the lens, while inside, a rounded 11-blade diaphragm improves image quality by helping to create smooth bokeh. Additionally, a built-in lens hood serves to protect the front element as well as prevent stray light from causing flare.

Sigma Website
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Sony FE 24-105mm f/4 G OSS Lens

• E-Mount Lens/Full-Frame Format
• Aperture Range: f/4 to f/22
• 4 Aspherical Elements, 3 ED Elements
• Nano AR and Fluorine Coatings
• Direct Drive Super Sonic Wave AF Motor
• Optical SteadyShot Image Stabilization
• Internal Focus Design
• Focus Hold Button; AF/MF Switch
• Dust and Moisture-Resistant Construction
• Rounded Nine-Blade Diaphragm

• Designed for versatility, the FE 24-105mm f/4 G OSS Lens from Sony is a wide-angle to short-telephoto zoom designed for E-mount mirrorless cameras. Complementing the useful range of focal lengths is a constant f/4 maximum aperture, which maintains consistent performance throughout the zoom range and also affords increased control over depth of field. Benefitting the reach is an advanced optical design, which employs aspherical and extra-low dispersion glass elements to control color fringing, distortion, and a variety of aberrations for greater sharpness and clarity. A Nano AR Coating has also been applied to suppress lens flare and ghosting for high contrast and color accuracy when working in harsh light.

Further adding to the versatility, this 24-105mm f/4 also incorporates an Optical SteadyShot image stabilization system to minimize the appearance of camera shake for sharper handheld shooting, and this system can pair with select cameras' sensor-shift image stabilization for even more effective blur control. Suiting both stills and video shooting, a Direct Drive Super Sonic wave AF motor, along with an internal focusing design, provides quick and quiet focusing performance as well as natural manual focus control. Additionally, this also features a weather-resistant physical construction, along with a fluorine-coated front element, to enable its use in trying weather conditions.

B&H Photo
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Awesome!Sony FE 20mm f/1.8 G Lens

Presenting an ultra-wide field of view, the Sony FE 20mm f/1.8 G is a sleek and wide-eyed prime lens characterized by its portability, advanced optical design, and intuitive handling. The optical design incorporates a pair of aspherical elements and three extra-low dispersion elements to greatly reduce a variety of aberrations and distortion. A Nano AR Coating has also been applied to further reduce surface reflections and flare for improved contrast when working in bright and backlit conditions. Benefitting the optics, this lens also sports a dual XD Linear Motor system that is quick and quiet, and also lends more responsive control for manual focus operation. The lens also has a dust- and moisture-sealed design, along with a fluorine coating, to support shooting in inclement conditions.

Sony Website
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Rokinon T-S 24mm f/3.5 ED AS UMC Tilt-Shift Lens

Control perspective and correct converging lines with the T-S 24mm f/3.5 ED AS UMC Tilt-Shift Lens from Rokinon. This full-frame Sony E-mount lens offers a huge advantage over a standard prime, tilt of +/- 8.5° and shift of +/- 12mm, each of which allows a photographer to change the perspective of an image or correct for certain optical effects such as keystoning. The lens is quite capable in its own right, featuring a maximum aperture of f/3.5 and utilizing two aspherical and two extra-low dispersion glass elements to correct aberrations. Additionally, it has an Ultra Multi-Coating (UMC) that prevents reflections and glare from ruining an image.

Rokinon Website
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Tamron 150-500mm f/5-6.7 Di III VXD Lens

he dynamic Tamron 150-500mm f/5-6.7 Di III VXD for full-frame-format Sony E-mount mirrorless cameras is a compact and versatile super-telephoto zoom lens well suited to capture a wide array of subjects ranging from landscapes and birds to sports and wildlife photography. The optical construction features 25 elements in 16 groups and utilizes special lens elements and hybrid aspherical lens elements to control chromatic aberrations. Each element features a BBAR-G2 coating to reduce flare and ghosting for high contrast and color accuracy. The VXD (Voice-coil eXtreme-torque Drive) linear motor focus mechanism delivers extreme high-speed and high-precision movement and ensures exceptionally responsive performance and is compatible with Sony Hybrid AF and Eye AF features in enabled cameras. The minimum object distance of 23.6" at 150mm end of the zoom range provides dynamic close-up imaging and add to the lens' remarkable overall usability.

Tamron Website
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Voigtlander Heliar-Hyper Wide 10mm f/5.6 Aspherical Lens

Offering an incredibly wide field of view while maintaining a rectilinear design, the Heliar-Hyper Wide 10mm f/5.6 Aspherical Lens from Voigtlander is dedicated to full-frame Sony E-mount cameras, and features an updated Heliar design to limit distortion and maintain consistent sharpness and illumination to suit mirrorless camera designs. One aspherical element is employed in the 13 elements, 10 groups optical design to control spherical aberrations and distortions throughout the aperture range. The lens also uses a manual focus design to permit fine-tuned control over focus placement, with a minimum focusing distance of 11.8", and a Selective Aperture Control System allows you to de-click the manual aperture ring for smooth, silent exposure adjustment.nses/a057.html">Website

Voigtlander Website
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Voigtlander Super Wide-Heliar 15mm f/4.5 Aspherical III Lens

Affording an expansive field of view, the Super Wide-Heliar 15mm f/4.5 Aspherical III Lens from Voigtlander is dedicated to full-frame Sony E-mount cameras, and features an updated Heliar design to limit distortion and maintain consistent illumination to suit mirrorless camera designs. One aspherical element is also used in the 11 elements, 9 groups design, and helps to reduce spherical aberrations throughout the aperture range. The manual focus design affords fine-tuned control over focus placement, along with a minimum focusing distance of 11.8", and a Selective Aperture Control System allows you to de-click the manual aperture ring for smooth, silent exposure adjustment to benefit filmmaking applications.

Voigtlander Website
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Voigtlander Nokton Classic 35mm f/1.4 Lens

Compact yet fast, the Nokton Classic 35mm f/1.4 Lens from Voigtlander is a standard wide-angle prime designed for full-frame Sony E mirrorless cameras. Its classic wide focal length pairs with a bright f/1.4 maximum aperture to deliver notable control over depth of field for producing shallow depth of field imagery, and also benefits working in low-light conditions. Helping to achieve the lens's namesake Classic look, a symmetrical optical design is used, along with high refractive index glass, to produce sharp, clear imagery but with some intentional aberrations left to realize a smooth and vintage-esque character. The lens's manual focus design permits working with subjects as close as 11.8" away and the mount incorporates electronic contacts to relay Exif data and to make use of in-camera shooting and focus aids.

Voigtlander Website
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Awesome!Voigtlander Nokton 50mm f/1.2 Aspherical Lens

Updating a classic for today's imaging standards, this Nokton 50mm f/1.2 Aspherical from Voigtlander is a fast normal-length lens for full-frame Sony E-mount mirrorless cameras. Distinguished by its bright f/1.2 maximum aperture, this lens excels in low-light conditions and also offers enhanced control over depth of field. The advanced optical design incorporates a pair of aspherical elements and one partial dispersion elements, which, together, help to suppress both spherical and chromatic aberrations for greater sharpness, clarity, and color rendering. The lens's manual focus design permits working with subjects as close as 1.5' away, and a Selective Aperture Control System allows you to de-click the manual aperture ring for smooth, silent exposure adjustment to suit filmmaking applications. Additionally, a 12-blade diaphragm contributes to a pleasing bokeh quality.

Voigtlander Website
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Awesome!Venus Optics Laowa 15mm f/2 FE Zero-D Lens

Designed to provide a wealth of control over out-of-focus quality and to enhance bokeh, the Laowa 105mm f/2 Smooth Trans Focus Lens from Venus Optics is a short telephoto prime designed for full-frame Sony E-mount mirrorless cameras. The unique optical design incorporates an apodization (APD) element, as well as two separate diaphragms—8- and 14-blade—to provide separate adjustment over the bokeh as well as the exposure and depth of field. This APD element functions as a radially graduated neutral density filter, and as such limits the light transmission to a T-stop value of 3.2, while permitting the depth of field and selective focus qualities of a true f/2 design.

Laowa Venus Optics Website
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Venus Optics Laowa 100mm f/2.8 2X Ultra Macro APO Lens

Characterized by its close-focusing capabilities and apochromatic design, the Sony E-mount Laowa 100mm f/2.8 2X Ultra Macro APO from Venus Optics is a unique and versatile short-telephoto prime. Featuring a pair of low dispersion elements, color fringing and chromatic aberrations have been virtually eliminated throughout the focusing range in order to achieve high clarity and color accuracy. The lens's manual focus design also suits its macro capabilities, which permit working with subjects as close as 2:1 with a minimum focusing distance of 9.7". Additionally, a 13-blade diaphragm contributes to a pleasing bokeh quality.

Laowa Venus Optics Website
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Venus Optics Laowa 105mm f/2 Smooth Trans Focus Lens

Designed to provide a wealth of control over out-of-focus quality and to enhance bokeh, the Laowa 105mm f/2 Smooth Trans Focus Lens from Venus Optics is a short telephoto prime designed for full-frame Sony E-mount mirrorless cameras. The unique optical design incorporates an apodization (APD) element, as well as two separate diaphragms—8- and 14-blade—to provide separate adjustment over the bokeh as well as the exposure and depth of field. This APD element functions as a radially graduated neutral density filter, and as such limits the light transmission to a T-stop value of 3.2, while permitting the depth of field and selective focus qualities of a true f/2 design.

Laowa Venus Optics Website
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Rokinon 12mm f/2.8 ED AS IF NCS UMC Fisheye Lens

The 12mm f/2.8 ED AS IF NCS UMC Fisheye Lens for Sony E Mount from Rokinon provides a 180° diagonal angle of view on full-frame cameras for an ultra-wide angle, distorted perspective that is useful for architectural interiors, landscapes and creative experimentation in any photographic application. The f/2.8 maximum aperture is effective in low light situations and enables some measure of shallow depth of field control.


Rokinon Website
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Lensbaby Optic Swap Founder's Collection

• Composer Pro II Lens Body • Sweet 35 and Sweet 50 Optics • Edge 35 and Edge 50 Optics
A comprehensive kit for the Lensbaby enthusiast, the Optic Swap Founder's Collection includes the popular Composer Pro II lens body along with four of the most-used optics by Lensbaby's founder, Craig Strong. The Composer Pro II enables the included Sweet 35, Sweet 50, Edge 35, and Edge 50 optics to be attached to Sony E-mount cameras and also facilitates up to 15° of tilt for creative effects.
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Composer Pro II Sweet 35 Sweet 50 Edge 35 Edge 50 Twist 60

Lensbaby Website
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Lensbaby Trio 28mm f/3.5 Lens

The Lensbaby Trio 28mm f/3.5 Lens. This pancake-style lens incorporates a rotating front that holds Twist, Velvet, and Sweet optics for selecting different effects at a moment's notice. The Twist uses a Petzval-inspired design for a sharp center area surrounded by a swirl of twisty bokeh. Velvet has a dreamy central area with a soft focus look along with a soft glow. Sweet creates a sharp spot of focus in the center with a gradual fall-off to blur.

Lensbaby Website
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